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In his tale of a doomed crew beating their way up-river through the jungles of Guyana, first published in 1960, Wilson Harris revealed the unique poetic vision and laid out the themes and designs, not only of his famous work, The Guyana Quartet, but of all his future work. The Palace of the Peacock displays that vision in all its hallucinatory vividness, given additional impact by its rejection of the conventions of the twentieth-century novel and the uncompromising energy of its use of language in its response to character and landscape. The compelling adventure story of the narrative is paralleled by the artistic adventure of its composition.
In his tale of a doomed crew beating their way up-river through the jungles of Guyana, first published in 1960, Wilson Harris revealed the unique poetic vision and laid out the themes and designs, not only of his famous work, The Guyana Quartet, but of all his future work. The Palace of the Peacock displays that vision in all its hallucinatory vividness, given additional impact by its rejection of the conventions of the twentieth-century novel and the uncompromising energy of its use of language in its response to character and landscape. The compelling adventure story of the narrative is paralleled by the artistic adventure of its composition.
Wilson Harris
Born in Guyana in 1921 and based in England since 1959, Wilson Harris is one of the most original novelists and critics of the twentieth century. His writings, which include poems, numerous essays and...
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