Soaring with malicious poetry and almost unbearably accurate in its characterizations, Martin Amis turns Success into a sort of Jacobean revenge comedy. Its antagonists are two mismatched foster brothers who perform a merciless tango of class hatred, sexual rivalry, and disappointed love.
Soaring with malicious poetry and almost unbearably accurate in its characterizations, Martin Amis turns Success into a sort of Jacobean revenge comedy. Its antagonists are two mismatched foster brothers who perform a merciless tango of class hatred, sexual rivalry, and disappointed love.
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