"In 1631 the Catholic Church in Spain placed this bawdy tale of earthly love on its Index of Prohibited Books. Victorian critics self-righteously censured it as ""profligate and disgusting."" No wonder: Written immediately after The Decameron, The Corbaccio (or the evil crow""), Boccaccio's final work, is a connoisseur's collection of traditional and medieval misogyny. In his introduction, Cassell situates The Corbaccio within literary, stylistic, and structural conventions, a tradition encompassing some of the most satirical, scurrilous, scatological and parodic literature ever written."
"In 1631 the Catholic Church in Spain placed this bawdy tale of earthly love on its Index of Prohibited Books. Victorian critics self-righteously censured it as ""profligate and disgusting."" No wonder: Written immediately after The Decameron, The Corbaccio (or the evil crow""), Boccaccio's final work, is a connoisseur's collection of traditional and medieval misogyny. In his introduction, Cassell situates The Corbaccio within literary, stylistic, and structural conventions, a tradition encompassing some of the most satirical, scurrilous, scatological and parodic literature ever written."
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