On the heels of his breakout success, the bestselling and award-winning novel Brooklyn, Colm Tóibín returns with a stunning collection of new stories, written in prose as “elegant in its simplicity as it is complex in the emotions it evokes” ( The New York Times Magazine ).Critics praised Brooklyn as a “beautifully rendered portrait of Brooklyn and provincial Ireland in the 1950s.” In The Empty Family, Tóibín has extended his imagination further, offering an incredible range of periods and characters—people linked by love, loneliness, desire—“the unvarying dilemmas of the human heart” ( The Observer, UK). In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party. Like Tóibín’s collection Mothers and Sons, reviewed on the front page of The New York Times Book Review, The Empty Family will further cement Tóibín’s status as “his generation’s most gifted writer of love’s complicated, contradictory power” (Floyd Skloot, Los Angeles Times ).“Reading Tóibín is like watching an artist paint one small stroke after another until suddenly the finished picture emerges to shattering effect.” — The Times Literary Supplement (UK)
On the heels of his breakout success, the bestselling and award-winning novel Brooklyn, Colm Tóibín returns with a stunning collection of new stories, written in prose as “elegant in its simplicity as it is complex in the emotions it evokes” ( The New York Times Magazine ).Critics praised Brooklyn as a “beautifully rendered portrait of Brooklyn and provincial Ireland in the 1950s.” In The Empty Family, Tóibín has extended his imagination further, offering an incredible range of periods and characters—people linked by love, loneliness, desire—“the unvarying dilemmas of the human heart” ( The Observer, UK). In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party. Like Tóibín’s collection Mothers and Sons, reviewed on the front page of The New York Times Book Review, The Empty Family will further cement Tóibín’s status as “his generation’s most gifted writer of love’s complicated, contradictory power” (Floyd Skloot, Los Angeles Times ).“Reading Tóibín is like watching an artist paint one small stroke after another until suddenly the finished picture emerges to shattering effect.” — The Times Literary Supplement (UK)
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