EditorialRebecca StarfordCartoonPolly DedmanCOMMENTARYEmily Maguire The Invisible Women: Carers in Australian FamiliesCaroline Hamilton Jonathan’s Correction: ‘#Franzenfreude’ and the Great American NovelistOlivia Guntarik Leaving: A MemoirLuke Ryan Where Have All My Ideas Gone?: Creativity and the Death of BoredomBethanie Blanchard Notes from the Underground: Why Bret Easton Ellis Fails on FilmFICTIONPeggy Frew Harvey StreetMichael Sala The HindLouise Swinn A Clean Kind of DirtINTERVIEWKill Your Darlings in conversation with Salley VickersREVIEWSJake Wilson Islands and Ghosts: Roman Polanski’s The Ghost WriterHannah Kent Victim and the Agent of the Fantastical: The Allure of Florence + The MachineKate Douglas Read, Preach, Defend: One Woman’s Search for Literary CredibilityBen Gook A Canary, Singing Through the Gas: Gareth Liddiard’s Strange Tourist
EditorialRebecca StarfordCartoonPolly DedmanCOMMENTARYEmily Maguire The Invisible Women: Carers in Australian FamiliesCaroline Hamilton Jonathan’s Correction: ‘#Franzenfreude’ and the Great American NovelistOlivia Guntarik Leaving: A MemoirLuke Ryan Where Have All My Ideas Gone?: Creativity and the Death of BoredomBethanie Blanchard Notes from the Underground: Why Bret Easton Ellis Fails on FilmFICTIONPeggy Frew Harvey StreetMichael Sala The HindLouise Swinn A Clean Kind of DirtINTERVIEWKill Your Darlings in conversation with Salley VickersREVIEWSJake Wilson Islands and Ghosts: Roman Polanski’s The Ghost WriterHannah Kent Victim and the Agent of the Fantastical: The Allure of Florence + The MachineKate Douglas Read, Preach, Defend: One Woman’s Search for Literary CredibilityBen Gook A Canary, Singing Through the Gas: Gareth Liddiard’s Strange Tourist
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